17平均律 - 版の履歴

2024年8月14日 (水) 09:28にTessyrrh1016による

2024-08-14T09:28:41Z

← 古い版		2024年8月14日 (水) 09:28時点における版
345行目:		345行目:
	===素数倍音===		===素数倍音===
	{{harmonics in equal\|17}}		{{harmonics in equal\|17}}

			==純正音程近似==
			===純正音程のマッピング===
			{{q-odd-limit intervals\|17}}

	==コンマをなだらかにする==		==コンマをなだらかにする==
	~~17平均律を<~~ 17 27 39 48 59 63 ~~\|[[ヴァル\|ヴァル]]~~とみなした時、次のリストのコンマをテンパーアウトする。		17平均律の[[ヴァル]]を {{val\|17 27 39 48 59 63}} とみなした時、次のリストのコンマをテンパーアウトする。

	{\| class="wikitable"		{\| class="wikitable"

Tessyrrh1016: /* 理論 */

2024-08-10T12:23:37Z

理論

← 古い版		2024年8月10日 (土) 12:23時点における版
342行目:		342行目:

	平均律は2.3.25.7.11.13サブグループテンペラメントとしてもっともらしく扱うことができる。それはとても計算されている。7リミット周波数比は一般的に、他の整数と同じぐらい良く現れないけども。		平均律は2.3.25.7.11.13サブグループテンペラメントとしてもっともらしく扱うことができる。それはとても計算されている。7リミット周波数比は一般的に、他の整数と同じぐらい良く現れないけども。

			===素数倍音===
			{{harmonics in equal\|17}}

	==コンマをなだらかにする==		==コンマをなだらかにする==

2024年8月10日 (土) 12:18にTessyrrh1016による

2024-08-10T12:18:13Z

← 古い版		2024年8月10日 (土) 12:18時点における版
4行目:		4行目:
	\| es = 17 EDO		\| es = 17 EDO
	\| ja = 17平均律		\| ja = 17平均律
	}}__FORCETOC__		}}{{Infobox ET}}
			__FORCETOC__
	'''17平均律'''はオクターブを均等に17分割したものであり、各ステップは約 70.588 [[セント\|¢]] である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。		'''17平均律'''はオクターブを均等に17分割したものであり、各ステップは約 70.588 [[セント\|¢]] である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。

2024年8月10日 (土) 12:17にTessyrrh1016による

2024-08-10T12:17:05Z

← 古い版		2024年8月10日 (土) 12:17時点における版
5行目:		5行目:
	\| ja = 17平均律		\| ja = 17平均律
	}}__FORCETOC__		}}__FORCETOC__
	'''17平均律'''~~はオクターブを均等に17分割したものであり、各ステップは70~~.588[[セント\|~~セント~~]]である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。		'''17平均律'''はオクターブを均等に17分割したものであり、各ステップは約 70.588 [[セント\|¢]] である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。

	==17平均律の音程と近似値==		==17平均律の音程と近似値==

Fredg999: /* Scales */

2024-06-30T02:22:38Z

Scales

← 古い版		2024年6月30日 (日) 02:22時点における版
442行目:		442行目:

	==Scales==		==Scales==
	* 17平均律律テトラコード		* [[17平均律律テトラコード]]
	<ul><li>[[Otonal_17\|Otonal 17]]</li><li>[http://www.microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]</li><li>[[17edo_neutral_scale\|17edo neutral scale]]</li><li>[[Scorp\|Scorp]]</li><li>[[MOS_scales_of_17edo\|MOS scales of 17edo]] (horograms)</li></ul>		<ul><li>[[Otonal_17\|Otonal 17]]</li><li>[http://www.microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]</li><li>[[17edo_neutral_scale\|17edo neutral scale]]</li><li>[[Scorp\|Scorp]]</li><li>[[MOS_scales_of_17edo\|MOS scales of 17edo]] (horograms)</li></ul>

Fredg999: /* Scales */ 内部リンク

2024-06-30T02:22:28Z

Scales: 内部リンク

← 古い版		2024年6月30日 (日) 02:22時点における版
442行目:		442行目:

	==Scales==		==Scales==
			* 17平均律律テトラコード
	<ul><li>[[Otonal_17\|Otonal 17]]</li><li>[http://www.microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]</li><li>[[17edo_neutral_scale\|17edo neutral scale]]</li><li>[[Scorp\|Scorp]]</li><li>[[MOS_scales_of_17edo\|MOS scales of 17edo]] (horograms)</li></ul>		<ul><li>[[Otonal_17\|Otonal 17]]</li><li>[http://www.microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]</li><li>[[17edo_neutral_scale\|17edo neutral scale]]</li><li>[[Scorp\|Scorp]]</li><li>[[MOS_scales_of_17edo\|MOS scales of 17edo]] (horograms)</li></ul>

Fredg999: カテゴリ

2024-06-29T22:12:05Z

カテゴリ

← 古い版		2024年6月29日 (土) 22:12時点における版
457行目:		457行目:

	[[カテゴリ:17平均律]]		[[カテゴリ:17平均律]]
			[[カテゴリ:オクターブ平均律‎]]

Fredg999: カテゴリ

2024-06-29T20:03:24Z

カテゴリ

← 古い版		2024年6月29日 (土) 20:03時点における版
4行目:		4行目:
	\| es = 17 EDO		\| es = 17 EDO
	\| ja = 17平均律		\| ja = 17平均律
	}}		}}__FORCETOC__
	__FORCETOC__
	'''17平均律'''はオクターブを均等に17分割したものであり、各ステップは70.588[[セント\|セント]]である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。		'''17平均律'''はオクターブを均等に17分割したものであり、各ステップは70.588[[セント\|セント]]である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。

456行目:		455行目:
	===Sound files===		===Sound files===
	<ul><li><span style="">''[https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure Puhlops and Laugua's Big Adventure]'' </span> by [http://www.untwelve.org/board \|Aaron Krister Johnson]</li><li><span style="">''[https://soundcloud.com/aaron-krister-johnson/adagio-for-margo Adagio for Margo]'' </span> by [http://www.untwelve.org/board Aaron Krister Johnson]</li><li><span style="">''[http://home.comcast.net/%7Eteamouse/Transformation.mp3 Transformation]'' </span> by [http://home.comcast.net/%7Eteamouse/ Herman Miller]</li><li><span style="">''[http://www.emcollective.org/chris/items/17tet/17waltz.mp3 Waltz]'' </span> by Christopher Bailey</li><li><span style="">''[http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3 Lostfound]'' </span> by Christopher Bailey</li><li>excerpt from <span style="">''[http://music.columbia.edu/%7Echris/sounds/balladei_exc.mp3 Balladei]'' </span> (in 17, 29 and 12) by [http://music.columbia.edu/%7Echris/ Christopher Bailey] , CD available [http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&s=music&qid=1184598550&sr=1-19 here] .</li><li><span style="">''[http://www.h-pi.com/mp3/17ET.mp3 Two-Part Invention in 17ET]'' </span> by Aaron Andrew Hunt</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3 Overture to A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3 Fairy Lullaby from A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li><span style="">''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3 A Calamitous Simultaneity]'' </span> by Igliashon Jones (17edo and 22edo)</li><li><span style="">''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3 First Impressions]'' </span> by Igliashon Jones</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3 I Insist] by Igliashon Jones</li><li>''[http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3 Etude no1 for 2 Pianos in 17 Equal Temperament]'' and ''[http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3 Etude no2 for 2 Pianos in 17 Equal Temperament]'' Jon Lyle Smith</li><li>A number of compositions from [http://www.archive.org/details/seventeenTPP_01 seventeen-tone piano project phase I] , [[SeventeenTPPPhaseTwo\|seventeen-tone piano project phase II]], [[SeventeenTPPPhaseThree\|seventeen-tone piano project phase III]].</li><li>[http://www.archive.org/search.php?query=subject%3A%2217-edo%22 17edo] - 17edo-tagged compositions on www.archive.org</li><li>[http://soundclick.com/share?songid=8839072 sing a blue] by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes & voice.</li><li>[http://soundclick.com/share?songid=8839073 stringfinger it everybean] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li>[http://soundclick.com/share?songid=8839069 cat feet belly] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li><span style="">''[http://www.youtube.com/watch?v=a9N_T6LNDaE 17 Tone Jam]'' </span> by Marmalade Man</li><li>[http://www.youtube.com/results?search_query=17edo&search=tag youtube videos tagged with 17edo]</li><li>[http://chrisvaisvil.com/?p=784 On the Shores of the Dead Sea blog] <span style="">''[http://www.youtube.com/watch?v=D39MVFhb0Ho video of On the Shores of the Dead Sea]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=466 Only in Disneyland 17 blog] edo guitar solo <span style="">''[http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 play Only in Disneyland]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=460 17 Reasons I Hate the Blues blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 play 17 Reasons I Hate the Blues]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=422 Klingon Opera Overture blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 play Klingon Opera Overture]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=298 Seventeen Selfless Notes blog] <span style="">''[http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 play Seventeen Selfless Notes]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=76 17ET Jazz blog] <span style="">''[http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 play 17et Jazz]'' </span> by Chris Vaisvil (60 x 60 winner)</li><li>[http://chrisvaisvil.com/?p=742 17 Pink Tuxedos blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 play 17 Pink Tuxedos]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=706 Devil in the Deep Blue Sea blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3 play Devil in the Deep Blue sea]'' </span> blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).</li><li>[http://chrisvaisvil.com/?p=585 Seventeen Years in the Sixties blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 play Seventeen Years in the Sixties]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=699 CT Scan blog] <span style="">''[http://www.youtube.com/watch?v=ZEEuytYwtbo play video CT Scan]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=470 Fish and a Grenade blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3 play Fish and a Grenade]'' </span> (parental advisory language) by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=550 Seventeen Unsteady Hands blog] <span style="">''[http://www.youtube.com/watch?v=rAKHCqBNhfc play video of performance of Seventeen Unsteady Hands]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=38 The Pond blog] by Chris Vaisvil and <span style="">''[http://www.youtube.com/watch?v=25sC3_uheyA video version of The Pond with Japanese Garden ]'' </span></li><li><span style="">[http://chrisvaisvil.com/?p=305 Graveyard blog] </span><span style="">''[http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3 play Graveyard]'' </span> by Chris Vaisvil</li><li><span style="">''[http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3 For Brass and Voice Choirs in 17 edo]'' </span> by [http://chrisvaisvil.com/ Chris Vaisvil ] [http://chrisvaisvil.com/?p=1039 more on the composition]</li><li><span style="">''[http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3 And I Became One With My Per Fungi]'' </span> by [http://chrisvaisvil.com/ Chris Vaisvil] => [http://chrisvaisvil.com/?p=1439 more on composition]</li><li><span style="">''[http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3 counterintuitive (17 edo guitar solo)]'' </span> by [http://www.chrisvaisvil.com/ Chris Vaisvil] => [http://chrisvaisvil.com/?p=1427 more on composition]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3 No Love] by [https://soundcloud.com/gregory-sanchez-2/no-love Gregory Sanchez]</li></ul>		<ul><li><span style="">''[https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure Puhlops and Laugua's Big Adventure]'' </span> by [http://www.untwelve.org/board \|Aaron Krister Johnson]</li><li><span style="">''[https://soundcloud.com/aaron-krister-johnson/adagio-for-margo Adagio for Margo]'' </span> by [http://www.untwelve.org/board Aaron Krister Johnson]</li><li><span style="">''[http://home.comcast.net/%7Eteamouse/Transformation.mp3 Transformation]'' </span> by [http://home.comcast.net/%7Eteamouse/ Herman Miller]</li><li><span style="">''[http://www.emcollective.org/chris/items/17tet/17waltz.mp3 Waltz]'' </span> by Christopher Bailey</li><li><span style="">''[http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3 Lostfound]'' </span> by Christopher Bailey</li><li>excerpt from <span style="">''[http://music.columbia.edu/%7Echris/sounds/balladei_exc.mp3 Balladei]'' </span> (in 17, 29 and 12) by [http://music.columbia.edu/%7Echris/ Christopher Bailey] , CD available [http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&s=music&qid=1184598550&sr=1-19 here] .</li><li><span style="">''[http://www.h-pi.com/mp3/17ET.mp3 Two-Part Invention in 17ET]'' </span> by Aaron Andrew Hunt</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3 Overture to A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3 Fairy Lullaby from A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li><span style="">''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3 A Calamitous Simultaneity]'' </span> by Igliashon Jones (17edo and 22edo)</li><li><span style="">''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3 First Impressions]'' </span> by Igliashon Jones</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3 I Insist] by Igliashon Jones</li><li>''[http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3 Etude no1 for 2 Pianos in 17 Equal Temperament]'' and ''[http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3 Etude no2 for 2 Pianos in 17 Equal Temperament]'' Jon Lyle Smith</li><li>A number of compositions from [http://www.archive.org/details/seventeenTPP_01 seventeen-tone piano project phase I] , [[SeventeenTPPPhaseTwo\|seventeen-tone piano project phase II]], [[SeventeenTPPPhaseThree\|seventeen-tone piano project phase III]].</li><li>[http://www.archive.org/search.php?query=subject%3A%2217-edo%22 17edo] - 17edo-tagged compositions on www.archive.org</li><li>[http://soundclick.com/share?songid=8839072 sing a blue] by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes & voice.</li><li>[http://soundclick.com/share?songid=8839073 stringfinger it everybean] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li>[http://soundclick.com/share?songid=8839069 cat feet belly] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li><span style="">''[http://www.youtube.com/watch?v=a9N_T6LNDaE 17 Tone Jam]'' </span> by Marmalade Man</li><li>[http://www.youtube.com/results?search_query=17edo&search=tag youtube videos tagged with 17edo]</li><li>[http://chrisvaisvil.com/?p=784 On the Shores of the Dead Sea blog] <span style="">''[http://www.youtube.com/watch?v=D39MVFhb0Ho video of On the Shores of the Dead Sea]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=466 Only in Disneyland 17 blog] edo guitar solo <span style="">''[http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 play Only in Disneyland]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=460 17 Reasons I Hate the Blues blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 play 17 Reasons I Hate the Blues]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=422 Klingon Opera Overture blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 play Klingon Opera Overture]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=298 Seventeen Selfless Notes blog] <span style="">''[http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 play Seventeen Selfless Notes]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=76 17ET Jazz blog] <span style="">''[http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 play 17et Jazz]'' </span> by Chris Vaisvil (60 x 60 winner)</li><li>[http://chrisvaisvil.com/?p=742 17 Pink Tuxedos blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 play 17 Pink Tuxedos]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=706 Devil in the Deep Blue Sea blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3 play Devil in the Deep Blue sea]'' </span> blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).</li><li>[http://chrisvaisvil.com/?p=585 Seventeen Years in the Sixties blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 play Seventeen Years in the Sixties]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=699 CT Scan blog] <span style="">''[http://www.youtube.com/watch?v=ZEEuytYwtbo play video CT Scan]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=470 Fish and a Grenade blog] <span style="">''[http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3 play Fish and a Grenade]'' </span> (parental advisory language) by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=550 Seventeen Unsteady Hands blog] <span style="">''[http://www.youtube.com/watch?v=rAKHCqBNhfc play video of performance of Seventeen Unsteady Hands]'' </span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=38 The Pond blog] by Chris Vaisvil and <span style="">''[http://www.youtube.com/watch?v=25sC3_uheyA video version of The Pond with Japanese Garden ]'' </span></li><li><span style="">[http://chrisvaisvil.com/?p=305 Graveyard blog] </span><span style="">''[http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3 play Graveyard]'' </span> by Chris Vaisvil</li><li><span style="">''[http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3 For Brass and Voice Choirs in 17 edo]'' </span> by [http://chrisvaisvil.com/ Chris Vaisvil ] [http://chrisvaisvil.com/?p=1039 more on the composition]</li><li><span style="">''[http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3 And I Became One With My Per Fungi]'' </span> by [http://chrisvaisvil.com/ Chris Vaisvil] => [http://chrisvaisvil.com/?p=1439 more on composition]</li><li><span style="">''[http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3 counterintuitive (17 edo guitar solo)]'' </span> by [http://www.chrisvaisvil.com/ Chris Vaisvil] => [http://chrisvaisvil.com/?p=1427 more on composition]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3 No Love] by [https://soundcloud.com/gregory-sanchez-2/no-love Gregory Sanchez]</li></ul>

			[[カテゴリ:17平均律]]

Fredg999: 英語版Xen Wikiからの移行

2024-06-29T19:51:51Z

英語版Xen Wikiからの移行

新規ページ

{{interwiki
| de = 17edo
| en = 17edo
| es = 17 EDO
| ja = 17平均律
}}
__FORCETOC__
'''17平均律'''はオクターブを均等に17分割したものであり、各ステップは70.588[[セント|セント]]である。13平均律に次ぎ19平均律の前となる、7番目の素数平均律である。

==17平均律の音程と近似値==
各周波数比の大きさが16以内で表現される純正音程は以下のようになる。これは[http://micro.soonlabel.com/Scott_Thompson/edjiruler.html edjiruler]を用いて、[number of equal divisions=17, interval of equivalence=2, integer limit=16, threshold of JI pitch inclusion=0.25]というパラメータで生成したものである。「The “neighborhood” of JI」の一覧は[http://www.huygens-fokker.org/docs/intervals.html こちら]（huygens-fokker）を参照のこと。

{| class="wikitable"
|-
| style="text-align:center;" | EDO
| style="text-align:center;" | interval
| style="text-align:center;" | cent
| style="text-align:center;" | DMS
| style="text-align:center;" | The "neighborhood" of JI
| style="text-align:center;" | Japanese name
| style="text-align:center;" | ratio
| style="text-align:right;" | diff cent
| style="text-align:center;" | cent
| style="text-align:right;" | diff DMS
| style="text-align:center;" | DMS
|-
| style="text-align:center;" | 17
| style="text-align:center;" | 0
| style="text-align:center;" | 0.00
| style="text-align:center;" | 0.00
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
|-
| style="text-align:center;" |
| style="text-align:center;" | 1
| style="text-align:center;" | 70.59
| style="text-align:center;" | 21.18
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
|-
| style="text-align:center;" |
| style="text-align:center;" | 2
| style="text-align:center;" | 141.18
| style="text-align:center;" | 42.35
| style="text-align:center;" | 2/3-tone
| style="text-align:center;" | 2/3全音
| style="text-align:center;" | 14/13
| style="text-align:right;" | 12.88
| style="text-align:center;" | 128.30
| style="text-align:right;" | 3.86
| style="text-align:center;" | 38.49
|-
| style="text-align:center;" |
| style="text-align:center;" | 2
| style="text-align:center;" | 141.18
| style="text-align:center;" | 42.35
| style="text-align:center;" | tridecimal 2/3-tone
| style="text-align:center;" | 13リミットの2/3音
| style="text-align:center;" | 13/12
| style="text-align:right;" | 2.60
| style="text-align:center;" | 138.57
| style="text-align:right;" | 0.78
| style="text-align:center;" | 41.57
|-
| style="text-align:center;" |
| style="text-align:center;" | 2
| style="text-align:center;" | 141.18
| style="text-align:center;" | 42.35
| style="text-align:center;" | 3/4-tone, undecimal neutral second
| style="text-align:center;" | 3/4全音、11リミットの中立的な2度
| style="text-align:center;" | 12/11
| style="text-align:right;" | -9.46
| style="text-align:center;" | 150.64
| style="text-align:right;" | -2.84
| style="text-align:center;" | 45.19
|-
| style="text-align:center;" |
| style="text-align:center;" | 3
| style="text-align:center;" | 211.76
| style="text-align:center;" | 63.53
| style="text-align:center;" | major whole tone
| style="text-align:center;" | 大全音
| style="text-align:center;" | 9/8
| style="text-align:right;" | 7.85
| style="text-align:center;" | 203.91
| style="text-align:right;" | 2.36
| style="text-align:center;" | 61.17
|-
| style="text-align:center;" |
| style="text-align:center;" | 4
| style="text-align:center;" | 282.35
| style="text-align:center;" | 84.71
| style="text-align:center;" | septimal minor third
| style="text-align:center;" | 7リミットの短3度
| style="text-align:center;" | 7/6
| style="text-align:right;" | 15.48
| style="text-align:center;" | 266.87
| style="text-align:right;" | 4.64
| style="text-align:center;" | 80.06
|-
| style="text-align:center;" |
| style="text-align:center;" | 4
| style="text-align:center;" | 282.35
| style="text-align:center;" | 84.71
| style="text-align:center;" | tridecimal minor third
| style="text-align:center;" | 13リミットの短3度
| style="text-align:center;" | 13/11
| style="text-align:right;" | -6.86
| style="text-align:center;" | 289.21
| style="text-align:right;" | -2.06
| style="text-align:center;" | 86.76
|-
| style="text-align:center;" |
| style="text-align:center;" | 5
| style="text-align:center;" | 352.94
| style="text-align:center;" | 105.88
| style="text-align:center;" | undecimal neutral third
| style="text-align:center;" | 11リミットの中立3度
| style="text-align:center;" | 11/9
| style="text-align:right;" | 5.53
| style="text-align:center;" | 347.41
| style="text-align:right;" | 1.66
| style="text-align:center;" | 104.22
|-
| style="text-align:center;" |
| style="text-align:center;" | 5
| style="text-align:center;" | 352.94
| style="text-align:center;" | 105.88
| style="text-align:center;" | tridecimal neutral third
| style="text-align:center;" | 13リミットの中立3度
| style="text-align:center;" | 16/13
| style="text-align:right;" | -6.53
| style="text-align:center;" | 359.47
| style="text-align:right;" | -1.96
| style="text-align:center;" | 107.84
|-
| style="text-align:center;" |
| style="text-align:center;" | 6
| style="text-align:center;" | 423.53
| style="text-align:center;" | 127.06
| style="text-align:center;" | undecimal diminished fourth or major third
| style="text-align:center;" | 11リミットの減4度または長3度
| style="text-align:center;" | 14/11
| style="text-align:right;" | 6.02
| style="text-align:center;" | 417.51
| style="text-align:right;" | 1.81
| style="text-align:center;" | 125.25
|-
| style="text-align:center;" |
| style="text-align:center;" | 6
| style="text-align:center;" | 423.53
| style="text-align:center;" | 127.06
| style="text-align:center;" | septimal major third, BP third
| style="text-align:center;" | 7リミットの長3度、ボーレン・ピアスの3度
| style="text-align:center;" | 9/7
| style="text-align:right;" | -11.55
| style="text-align:center;" | 435.08
| style="text-align:right;" | -3.47
| style="text-align:center;" | 130.53
|-
| style="text-align:center;" |
| style="text-align:center;" | 7
| style="text-align:center;" | 494.12
| style="text-align:center;" | 148.24
| style="text-align:center;" | perfect fourth
| style="text-align:center;" | 完全4度
| style="text-align:center;" | 4/3
| style="text-align:right;" | -3.93
| style="text-align:center;" | 498.04
| style="text-align:right;" | -1.18
| style="text-align:center;" | 149.41
|-
| style="text-align:center;" |
| style="text-align:center;" | 8
| style="text-align:center;" | 564.71
| style="text-align:center;" | 169.41
| style="text-align:center;" | undecimal semi-augmented fourth
| style="text-align:center;" | 11リミットの準増5度
| style="text-align:center;" | 11/8
| style="text-align:right;" | 13.39
| style="text-align:center;" | 551.32
| style="text-align:right;" | 4.02
| style="text-align:center;" | 165.40
|-
| style="text-align:center;" |
| style="text-align:center;" | 9
| style="text-align:center;" | 635.29
| style="text-align:center;" | 190.59
| style="text-align:center;" | tridecimal diminished fifth
| style="text-align:center;" | 13リミットの減5度
| style="text-align:center;" | 13/9
| style="text-align:right;" | -1.32
| style="text-align:center;" | 636.62
| style="text-align:right;" | -0.40
| style="text-align:center;" | 190.99
|-
| style="text-align:center;" |
| style="text-align:center;" | 9
| style="text-align:center;" | 635.29
| style="text-align:center;" | 190.59
| style="text-align:center;" | undecimal semi-diminished fifth
| style="text-align:center;" | 11リミットの準減5度
| style="text-align:center;" | 16/11
| style="text-align:right;" | -13.39
| style="text-align:center;" | 648.68
| style="text-align:right;" | -4.02
| style="text-align:center;" | 194.60
|-
| style="text-align:center;" |
| style="text-align:center;" | 10
| style="text-align:center;" | 705.88
| style="text-align:center;" | 211.76
| style="text-align:center;" | perfect fifth
| style="text-align:center;" | 完全5度
| style="text-align:center;" | 3/2
| style="text-align:right;" | 3.93
| style="text-align:center;" | 701.96
| style="text-align:right;" | 1.18
| style="text-align:center;" | 210.59
|-
| style="text-align:center;" |
| style="text-align:center;" | 11
| style="text-align:center;" | 776.47
| style="text-align:center;" | 232.94
| style="text-align:center;" | septimal minor sixth
| style="text-align:center;" | 7リミットの長6度
| style="text-align:center;" | 14/9
| style="text-align:right;" | 11.55
| style="text-align:center;" | 764.92
| style="text-align:right;" | 3.47
| style="text-align:center;" | 229.47
|-
| style="text-align:center;" |
| style="text-align:center;" | 11
| style="text-align:center;" | 776.47
| style="text-align:center;" | 232.94
| style="text-align:center;" | undecimal augmented fifth
| style="text-align:center;" | 11リミットの増5度
| style="text-align:center;" | 11/7
| style="text-align:right;" | -6.02
| style="text-align:center;" | 782.49
| style="text-align:right;" | -1.81
| style="text-align:center;" | 234.75
|-
| style="text-align:center;" |
| style="text-align:center;" | 12
| style="text-align:center;" | 847.06
| style="text-align:center;" | 254.12
| style="text-align:center;" | tridecimal neutral sixth
| style="text-align:center;" | 13リミットの中立6度
| style="text-align:center;" | 13/8
| style="text-align:right;" | 6.53
| style="text-align:center;" | 840.53
| style="text-align:right;" | 1.96
| style="text-align:center;" | 252.16
|-
| style="text-align:center;" |
| style="text-align:center;" | 13
| style="text-align:center;" | 917.65
| style="text-align:center;" | 275.29
| style="text-align:center;" | septimal major sixth
| style="text-align:center;" | 7リミットの長6度
| style="text-align:center;" | 12/7
| style="text-align:right;" | -15.48
| style="text-align:center;" | 933.13
| style="text-align:right;" | -4.64
| style="text-align:center;" | 279.94
|-
| style="text-align:center;" |
| style="text-align:center;" | 14
| style="text-align:center;" | 988.24
| style="text-align:center;" | 296.47
| style="text-align:center;" | Pythagorean minor seventh
| style="text-align:center;" | ピタゴラスの短7度
| style="text-align:center;" | 16/9
| style="text-align:right;" | -7.85
| style="text-align:center;" | 996.09
| style="text-align:right;" | -2.36
| style="text-align:center;" | 298.83
|-
| style="text-align:center;" |
| style="text-align:center;" | 15
| style="text-align:center;" | 1058.82
| style="text-align:center;" | 317.65
| style="text-align:center;" | 21/4-tone, undecimal neutral seventh
| style="text-align:center;" | 21/4全音、11リミットの中立7度
| style="text-align:center;" | 11/6
| style="text-align:right;" | 9.46
| style="text-align:center;" | 1049.36
| style="text-align:right;" | 2.84
| style="text-align:center;" | 314.81
|-
| style="text-align:center;" |
| style="text-align:center;" | 15
| style="text-align:center;" | 1058.82
| style="text-align:center;" | 317.65
| style="text-align:center;" | 16/3-tone
| style="text-align:center;" | 16/3全音
| style="text-align:center;" | 13/7
| style="text-align:right;" | -12.88
| style="text-align:center;" | 1071.70
| style="text-align:right;" | -3.86
| style="text-align:center;" | 321.51
|-
| style="text-align:center;" |
| style="text-align:center;" | 16
| style="text-align:center;" | 1129.41
| style="text-align:center;" | 338.82
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
|-
| style="text-align:center;" |
| style="text-align:center;" | 17
| style="text-align:center;" | 1200.00
| style="text-align:center;" | 360.00
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
| style="text-align:right;" |
| style="text-align:center;" |
|}

==理論==
17平均理論の導入として、[[SeventeenTonePianoProject|SeventeenTonePianoProject]] :[[17音理論|17音理論]]に目を通すとよい。もう1つの導入として、George Secorの[http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf The 17-tone Puzzle]にも目を通すとよい。[[17edo_Solfege|17edo Solfege]].[[17平均律テトラコード|17平均律テトラコード]].[http://microtonalismo.com/proyecto-xvii Proyect 17-Perú]も参照のこと。

平均律は2.3.25.7.11.13サブグループテンペラメントとしてもっともらしく扱うことができる。それはとても計算されている。7リミット周波数比は一般的に、他の整数と同じぐらい良く現れないけども。

==コンマをなだらかにする==
17平均律を< 17 27 39 48 59 63 |[[ヴァル|ヴァル]]とみなした時、次のリストのコンマをテンパーアウトする。

{| class="wikitable"
|-
! | Comma
! | Monzo
! | Value (Cents)
! | Name 1
! | Name 2
! | Name 3
|-
| style="text-align:center;" | 134217728/129140163
| | | 27 -17 >
| style="text-align:right;" | 66.765
| | 17-Comma
| style="text-align:center;" |
| |
|-
| style="text-align:center;" | 25/24
| | |-3 -1 2>
| style="text-align:right;" | 70.762
| | Chromatic semitone
| style="text-align:center;" | Dicot comma
| |
|-
| style="text-align:center;" | 32805/32768
| | | -15 8 1 >
| style="text-align:right;" | 1.9537
| style="text-align:center;" | Schisma
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 64/63
| | | 6 -2 0 -1 >
| style="text-align:right;" | 27.264
| style="text-align:center;" | Septimal Comma
| style="text-align:center;" | Archytas' Comma
| style="text-align:center;" | Leipziger Komma
|-
| style="text-align:center;" | 245/243
| | | 0 -5 1 2 >
| style="text-align:right;" | 14.191
| style="text-align:center;" | Sensamagic
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 1728/1715
| | | 6 3 -1 -3 >
| style="text-align:right;" | 13.074
| style="text-align:center;" | Orwellisma
| style="text-align:center;" | Orwell Comma
| style="text-align:center;" |
|-
| style="text-align:center;" | 420175/419904
| | | -6 -8 2 5 >
| style="text-align:right;" | 1.1170
| style="text-align:center;" | Wizma
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 99/98
| | | -1 2 0 -2 1 >
| style="text-align:right;" | 17.576
| style="text-align:center;" | Mothwellsma
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 896/891
| | | 7 -4 0 1 -1 >
| style="text-align:right;" | 9.6880
| style="text-align:center;" | Pentacircle
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 243/242
| | | -1 5 0 0 -2 >
| style="text-align:right;" | 7.1391
| style="text-align:center;" | Rastma
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 385/384
| | | -7 -1 1 1 1 >
| style="text-align:right;" | 4.5026
| style="text-align:center;" | Keenanisma
| style="text-align:center;" |
| style="text-align:center;" |
|-
| style="text-align:center;" | 525/512
| | | -9 1 2 1 >
| style="text-align:right;" | 43.408
| style="text-align:center;" | Avicennma
| style="text-align:center;" | Avicenna's Enharmonic Diesis
| style="text-align:center;" |
|}

メモ：17-comma、avicennma、chromatic semitoneは比較的大きいサイズにもかかわらず、すべて13リミットの特徴的なヴァルによりテンパーアウトされる。

==Scales==
<ul><li>[[Otonal_17|Otonal 17]]</li><li>[http://www.microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]</li><li>[[17edo_neutral_scale|17edo neutral scale]]</li><li>[[Scorp|Scorp]]</li><li>[[MOS_scales_of_17edo|MOS scales of 17edo]] (horograms)</li></ul>

[[List_of_17edo_rank_two_temperaments_by_badness|List of 17edo rank two temperaments by badness]]

[[List_of_edo-distinct_17c_rank_two_temperaments|List of edo-distinct 17c rank two temperaments]]

==Music==

===Compositions===
<ul><li>[http://home.snafu.de/djwolf/PreludeIn17tet.pdf Prelude] by [[Daniel_Wolf|Daniel Wolf]]</li><li>[http://www.georghajdu.de/heptadecatonic_drops.html Heptadecatonic Drops] by Georg Hajdu</li><li>[http://www.georghajdu.de/63.html?&L=1%20 Klangmoraste] by Georg Hajdu</li><li>[http://www.microtonalismo.com/proyecto-xvii Charles Loli 17edo] music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)</li><li>[http://microtonalismo.com/ microtonalismo] Heptadecatonic Peruvian</li></ul>

===Sound files===
<ul><li>''[https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure Puhlops and Laugua's Big Adventure]'' by [http://www.untwelve.org/board |Aaron Krister Johnson]</li><li>''[https://soundcloud.com/aaron-krister-johnson/adagio-for-margo Adagio for Margo]'' by [http://www.untwelve.org/board Aaron Krister Johnson]</li><li>''[http://home.comcast.net/%7Eteamouse/Transformation.mp3 Transformation]'' by [http://home.comcast.net/%7Eteamouse/ Herman Miller]</li><li>''[http://www.emcollective.org/chris/items/17tet/17waltz.mp3 Waltz]'' by Christopher Bailey</li><li>''[http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3 Lostfound]'' by Christopher Bailey</li><li>excerpt from ''[http://music.columbia.edu/%7Echris/sounds/balladei_exc.mp3 Balladei]'' (in 17, 29 and 12) by [http://music.columbia.edu/%7Echris/ Christopher Bailey] , CD available [http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&s=music&qid=1184598550&sr=1-19 here] .</li><li>''[http://www.h-pi.com/mp3/17ET.mp3 Two-Part Invention in 17ET]'' by Aaron Andrew Hunt</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3 Overture to A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3 Fairy Lullaby from A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3 A Calamitous Simultaneity]'' by Igliashon Jones (17edo and 22edo)</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3 First Impressions]'' by Igliashon Jones</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3 I Insist] by Igliashon Jones</li><li>''[http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3 Etude no1 for 2 Pianos in 17 Equal Temperament]'' and ''[http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3 Etude no2 for 2 Pianos in 17 Equal Temperament]'' Jon Lyle Smith</li><li>A number of compositions from [http://www.archive.org/details/seventeenTPP_01 seventeen-tone piano project phase I] , [[SeventeenTPPPhaseTwo|seventeen-tone piano project phase II]], [[SeventeenTPPPhaseThree|seventeen-tone piano project phase III]].</li><li>[http://www.archive.org/search.php?query=subject%3A%2217-edo%22 17edo] - 17edo-tagged compositions on www.archive.org</li><li>[http://soundclick.com/share?songid=8839072 sing a blue] by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes & voice.</li><li>[http://soundclick.com/share?songid=8839073 stringfinger it everybean] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li>[http://soundclick.com/share?songid=8839069 cat feet belly] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li>''[http://www.youtube.com/watch?v=a9N_T6LNDaE 17 Tone Jam]'' by Marmalade Man</li><li>[http://www.youtube.com/results?search_query=17edo&search=tag youtube videos tagged with 17edo]</li><li>[http://chrisvaisvil.com/?p=784 On the Shores of the Dead Sea blog] ''[http://www.youtube.com/watch?v=D39MVFhb0Ho video of On the Shores of the Dead Sea]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=466 Only in Disneyland 17 blog] edo guitar solo ''[http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 play Only in Disneyland]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=460 17 Reasons I Hate the Blues blog] ''[http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 play 17 Reasons I Hate the Blues]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=422 Klingon Opera Overture blog] ''[http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 play Klingon Opera Overture]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=298 Seventeen Selfless Notes blog] ''[http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 play Seventeen Selfless Notes]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=76 17ET Jazz blog] ''[http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 play 17et Jazz]'' by Chris Vaisvil (60 x 60 winner)</li><li>[http://chrisvaisvil.com/?p=742 17 Pink Tuxedos blog] ''[http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 play 17 Pink Tuxedos]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=706 Devil in the Deep Blue Sea blog] ''[http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3 play Devil in the Deep Blue sea]'' blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).</li><li>[http://chrisvaisvil.com/?p=585 Seventeen Years in the Sixties blog] ''[http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 play Seventeen Years in the Sixties]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=699 CT Scan blog] ''[http://www.youtube.com/watch?v=ZEEuytYwtbo play video CT Scan]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=470 Fish and a Grenade blog] ''[http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3 play Fish and a Grenade]'' (parental advisory language) by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=550 Seventeen Unsteady Hands blog] ''[http://www.youtube.com/watch?v=rAKHCqBNhfc play video of performance of Seventeen Unsteady Hands]'' by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=38 The Pond blog] by Chris Vaisvil and ''[http://www.youtube.com/watch?v=25sC3_uheyA video version of The Pond with Japanese Garden ]'' </li><li>[http://chrisvaisvil.com/?p=305 Graveyard blog] ''[http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3 play Graveyard]'' by Chris Vaisvil</li><li>''[http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3 For Brass and Voice Choirs in 17 edo]'' by [http://chrisvaisvil.com/ Chris Vaisvil ] [http://chrisvaisvil.com/?p=1039 more on the composition]</li><li>''[http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3 And I Became One With My Per Fungi]'' by [http://chrisvaisvil.com/ Chris Vaisvil] => [http://chrisvaisvil.com/?p=1439 more on composition]</li><li>''[http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3 counterintuitive (17 edo guitar solo)]'' by [http://www.chrisvaisvil.com/ Chris Vaisvil] => [http://chrisvaisvil.com/?p=1427 more on composition]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3 No Love] by [https://soundcloud.com/gregory-sanchez-2/no-love Gregory Sanchez]</li></ul>